![]() for example, my PCM70 is hardwired to drums and electric guitars in "small room" mode. depending on context they can sound more "realistic" than anything else. With that said, rooms and chambers on old Lexicons are a thing of beauty too. love them on strings and drums/perc, respectively. In addition to that it has a fantastic EMT250 and AMS nonlinear type algorithms. also, wonderful orchestral and piano halls with long, unmodulated but smooth trails. ![]() In music production, its my favorite for acoustic drum rooms, also acoustic intruments like nylons etc when i don't want to enhance the source into larger-than-life (for which i use old Lexicons and Eventides). like the VO actors were the original audio. for example, i've managed to replace original rooms for foreign dub releases to unbelievable accuracy. very realsitic and ultimately configurable tweakable. Have to admit, new Lexis never blew me away.įwiw my side gig is audiopost, and with ocassional use of convo solutions like Speakerphone, my favorite for rooms and spaces is TC Reverb4000. I know neither falls into the 'classic' category but I'm not after vintage, swirly halls, more rooms and post effects. Navs wrote:Which of the later hardware Lexicon PCMs do you like better, the 91 or 92, and why?
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